Alessandro Scarlatti, George Petrou, La Lira di Orfeo, raffaele pe, Carmela Remigio's 'Griselda, Op. 114, R. 357/66, Act III: Al sol cadente (Live)' came out on August 19, 2022. With Griselda, Op. 114, R. 357/66, Act III: Al sol cadente (Live) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 66 in Alessandro Scarlatti: Griselda, Op. 114, R. 357/66 (Live) by Alessandro Scarlatti, raffaele pe, Carmela Remigio, Francesca Ascioti, Mariam Battistelli, Miriam Albano, La Lira di Orfeo, George Petrou. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Griselda, Op. 114, R. 357/66, Act III: Al sol cadente (Live)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Griselda, Op. 114, R. 357/66, Act III: Al sol cadente (Live) by Alessandro Scarlatti, George Petrou, La Lira di Orfeo, raffaele pe, Carmela Remigio is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 76 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Oboe Concerto in E-Flat Major, H. 468, Wq. 165: I. Allegro | Carl Philipp Emanuel Bach, Xenia Löffler, Akademie für Alte Musik Berlin | D Major | 1 | 10B | 146 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Rodelinda, HWV 19 - Act 1: "Dove sei amato bene" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Major | 1 | 5B | 110 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
La sposa dei cantici, Pt. 1: 8b. "Dunque fa ch’al alto impero" | Alessandro Scarlatti, Ars Lyrica Houston, Meghan Lindsay, John Holiday, Matthew Dirst | D♭ Major | 3 | 3B | 113 BPM | ||
Sei Concerti in sette parti: No. 1 in F Minor: II. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Minor | 4 | 9A | 84 BPM |
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