Władysław Żeleński, Mateusz Słonina, Lublin Philharmonic Orchestra, Wojciech Rodek made "Janek, Act II Scene 4 (Reconstr. by P. Pietruszewski): A ty nam Marku zbójeckiego graj!" available on June 9, 2023. With Janek, Act II Scene 4 (Reconstr. by P. Pietruszewski): A ty nam Marku zbójeckiego graj! being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Żeleński: Janek (Reconstr. by P. Pietruszewski), so we believe that "Janek, Act II Scene 4 (Reconstr. by P. Pietruszewski): A ty nam Marku zbójeckiego graj!" is a single. The popularity of Janek, Act II Scene 4 (Reconstr. by P. Pietruszewski): A ty nam Marku zbójeckiego graj! is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Janek, Act II Scene 4 (Reconstr. by P. Pietruszewski): A ty nam Marku zbójeckiego graj! by Władysław Żeleński, Mateusz Słonina, Lublin Philharmonic Orchestra, Wojciech Rodek is Prestissimo (even faster than presto), since this song has a tempo of 241 BPM. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux morceaux, Op. 63: No. 1, Toccata | Władysław Żeleński, Joanna Lawrynowicz | F Major | 2 | 7B | 138 BPM | ||
String Quartet in E Minor: I. Allegro | Giuseppe Verdi, Vertavo String Quartet | D Minor | 2 | 7A | 142 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM | ||
Requiem | Marcel Barsotti | A Minor | 1 | 8A | 80 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto | Sergei Rachmaninoff, Andrew Litton, Stephen Hough, Dallas Symphony Orchestra | B♭ Major | 0 | 6B | 68 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 0 | 8B | 62 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: IV. Finale. Allegro | Frédéric Chopin, Paul Tortelier, Aldo Ciccolini | C Major | 2 | 8B | 75 BPM | ||
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
25 Preludes, Op. 38: No. 23 in E-Flat Major, Four Voices | Władysław Żeleński, Julia Smykowska | E♭ Major | 0 | 5B | 71 BPM |
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