"Missa "Mille Regretz": Magnificat (Morales)" by The Hilliard Ensemble was released on January 1, 1997. Since Missa "Mille Regretz": Magnificat (Morales) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 16 in Cristóbal de Morales: Missa Mille Regretz by The Hilliard Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Missa "Mille Regretz": Magnificat (Morales) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa "Mille Regretz": Magnificat (Morales) by The Hilliard Ensemble is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): I. Je ne cesse de prier a ma dame chiere | Guillaume de Machaut, The Hilliard Ensemble | F Minor | 1 | 4A | 130 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Lotti : Crucifixus a 8 | Antonio Lotti, Edward Higginbottom | C Minor | 1 | 5A | 178 BPM | ||
Vexilla Regis | Anton Bruckner, Bergen Cathedral Choir, Bergen Philharmonic Trombones | F Major | 0 | 7B | 71 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
De Profundis | Arvo Pärt, The Hilliard Ensemble | E Minor | 1 | 9A | 64 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM |
Section: 0.6263668537139893
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