Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 1, Nachtgesang' came out on January 1, 2016. The duration of Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 1, Nachtgesang is about 3 minutes long, at 3:25. Based on our data, "Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 1, Nachtgesang" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 1, Nachtgesang is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 1, Nachtgesang by Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erlkönig | Johann Friedrich Reichardt, Fanie Antonelou, Sofya Gandilyan | E Minor | 1 | 9A | 68 BPM | ||
Zadok the Priest - Live | David Crown, George Frideric Handel, Reading Phoenix Choir | D Major | 1 | 10B | 81 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Feuilles d'automne | Alessandro Rustici | G Minor | 0 | 6A | 62 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Symphony in G Major: I. | Johann Friedrich Reichardt, New Dutch Academy, Simon Murphy | B Minor | 2 | 10A | 112 BPM | ||
Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM |
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