Igor Stravinsky, George Benjamin, Harrison Birtwistle, Royal Academy of Music Manson Ensemble, Oliver Knussen's 'The Soldier's Tale, Pt. 1: IV. Music for Scene 2. Pastorale' came out on March 24, 2017. With this song being about 5 minutes long, at 4:54, "The Soldier's Tale, Pt. 1: IV. Music for Scene 2. Pastorale" by Igor Stravinsky, George Benjamin, Harrison Birtwistle, Royal Academy of Music Manson Ensemble, Oliver Knussen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Stravinsky: A Soldier's Tale". In this album, this song's track order is #8. In terms of popularity, The Soldier's Tale, Pt. 1: IV. Music for Scene 2. Pastorale is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Soldier's Tale, Pt. 1: IV. Music for Scene 2. Pastorale by Igor Stravinsky, George Benjamin, Harrison Birtwistle, Royal Academy of Music Manson Ensemble, Oliver Knussen having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Le tombeau de Couperin, M. 68: II. Forlane | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 78 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | E Major | 2 | 12B | 134 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM |
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