Wolfgang Amadeus Mozart, Arthur Grumiaux, Walter Klien's 'Sonata for Piano and Violin in C, K.296: 2. Andante sostenuto' came out on May 5, 1998. With this song being about 5 minutes long, at 4:53, "Sonata for Piano and Violin in C, K.296: 2. Andante sostenuto" by Wolfgang Amadeus Mozart, Arthur Grumiaux, Walter Klien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Jeffrey Tate, London Symphony Orchestra, Saint Paul Chamber Orchestra, Pinchas Zukerman, Academy of St. Martin in the Fields, Iona Brown, Sir Colin Davis, John Eliot Gardiner, Sir Neville Marriner, English Chamber Orchestra's "Mozart For The Morning Commute - A Lively Bit Of Traveling Music" album is number 2 out of 42. Sonata for Piano and Violin in C, K.296: 2. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Piano and Violin in C, K.296: 2. Andante sostenuto by Wolfgang Amadeus Mozart, Arthur Grumiaux, Walter Klien to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute, Harp, and Orchestra in C, K.299: 3. Rondeau: Allegro | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | C Major | 1 | 8B | 88 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Sinfonia in D Major, BWV 1045: III. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 3 | 10B | 95 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique": 2. Adagio cantabile - Live | Ludwig van Beethoven, András Schiff | A♭ Major | 0 | 4B | 181 BPM |
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