- BPM
- 84
- Key
- D Minor
- Camelot
- 7A
Loquebantur variis linguis - Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury Information
- Acousticness
- 99%
- Danceability
- 13%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 7%
- Loudness
- -25.738 dB
Summary
"Loquebantur variis linguis" by Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury had its release date on June 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 13 in Evensong Live 2015 by Stephen Cleobury, Choir of King's College, Cambridge. Loquebantur variis linguis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Loquebantur variis linguis BPM
The tempo marking of Loquebantur variis linguis by Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Loquebantur variis linguis Key
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM | |
 | Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | |
 | Lux aeterna (choral arr. of Elgar's Nimrod Variation) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 84 BPM | |
 | Tenebrae Responsories, Feria quinta: I. In monte Oliveti | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 80 BPM | |
 | Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM | |
 | Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | |
 | Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | |
 | Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | |
 | Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | |
 | Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records