"Duck You Sucker - From "A Fistful of Dynamite"" by The City of Prague Philharmonic Orchestra was released on January 1, 2005. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 56 in the song's album "The Magnificent Westerns". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Duck You Sucker - From "A Fistful of Dynamite" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duck You Sucker - From "A Fistful of Dynamite" by The City of Prague Philharmonic Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impossible Opening - From "Finding Neverland" | Jan A.P. Kaczmarek, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Minor | 2 | 8A | 148 BPM | ||
Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
The Seaside | Samuel Sim | G Major | 1 | 9B | 50 BPM | ||
Konig der letzten Tage (King of the Last Days): Intrada | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 1 | 9B | 98 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
String Quartet in C-sharp minor, Op. 131 - Instrumental | Ludwig van Beethoven, The Con Tempo | A♭ Minor | 2 | 1A | 81 BPM | ||
Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
The Planets, Suite for Large Orchestra, Op. 32: I. Mars - the Bringer of War | Bournemouth Symphony Orchestra, George Hurst | A♭ Major | 5 | 4B | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Contredanses, Op. 44 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 2 | 12B | 187 BPM |
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