Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian made "Petit Jacquet" available on August 28, 2015. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 73 out of 85. On top of that, Netherlands appears to be the country where this track was created. Petit Jacquet is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Petit Jacquet by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Mercè! Grido piangendo | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Dances: Galliard [32] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | E♭ Major | 0 | 5B | 121 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months | Benjamin Britten, Finzi Singers, Paul Spicer | B Minor | 1 | 10A | 108 BPM |
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