Pater Brown, Gilbert Keith Chesterton, Daniela Wakonigg, Volker Brandt, Hans-Georg Panczak, Norbert Gastell, Edgar Bessen, Michael Harck, Kai-Henrik Möller, Fritz von Hardenberg, Andreas von der Meden, Tina Eschmann, Claus Wilcke, Andreas Borcherding, Sascha Draeger, Volker Bogdan, Thomas Karallus made "Teil 12 - Folge 21: Das Märchen des Pater Brown" available on October 23, 2015. The duration of Teil 12 - Folge 21: Das Märchen des Pater Brown is about 3 minutes long, at 3:06. Based on our data, "Teil 12 - Folge 21: Das Märchen des Pater Brown" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Folge 21: Das Märchen des Pater Brown by Pater Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Teil 12 - Folge 21: Das Märchen des Pater Brown is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Teil 12 - Folge 21: Das Märchen des Pater Brown by Pater Brown, Gilbert Keith Chesterton, Daniela Wakonigg, Volker Brandt, Hans-Georg Panczak, Norbert Gastell, Edgar Bessen, Michael Harck, Kai-Henrik Möller, Fritz von Hardenberg, Andreas von der Meden, Tina Eschmann, Claus Wilcke, Andreas Borcherding, Sascha Draeger, Volker Bogdan, Thomas Karallus is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
232 - Drohnenaugen in der Nacht - Teil 15 | TKKG | C Major | 5 | 8B | 115 BPM | ||
06 - Das goldene Schiff - Teil 35 | Piraten der Meere | D Major | 7 | 10B | 105 BPM | ||
Teil 2 - Folge 41: High Noon in London | Die größten Fälle von Scotland Yard, Markus Duschek, Peter Kirchberger, K. Dieter Klebsch, Peter Lontzek, Dagmar Dreke, Wolfgang Bahro, Daniel Zillmann, Thomas Nero Wolff, Gordon Piedesack, Lutz Mackensy, Ilona Otto, Luisa Wietzorek, Stefan Krause, Rainer Fritzsche | A♭ Major | 6 | 4B | 126 BPM | ||
232 - Drohnenaugen in der Nacht - Teil 02 | TKKG | A♭ Major | 2 | 4B | 83 BPM | ||
PW 021 - Teil 12 | Point Whitmark | E Minor | 5 | 9A | 83 BPM | ||
Kapitel 10: Die grüne Hölle (Folge 21) | Jan Tenner | E Major | 5 | 12B | 83 BPM | ||
09 - Molochs Totenkarussell - Teil 11 | Macabros | G Major | 6 | 9B | 79 BPM | ||
008 - und die wilde Westernreiterin - Teil 16 | Hexe Lilli | A Minor | 5 | 8A | 113 BPM | ||
Teil 3 - Folge 5: Das Auge des Apoll | Pater Brown, Gilbert Keith Chesterton, Volker Brandt, Hans-Georg Panczak, Manfred Erdmann, Dagmar Dempe, Heidi Schaffrath, Edgar Bessen, Michael Habeck, Peter Groeger, Hubertus von Lerchenfeld, Oliver Mink | D♭ Major | 7 | 3B | 173 BPM | ||
Stadt der Lügen / Folge 8: Das Ende des Vertrauens - Kapitel 16 | Hurricane | A♭ Major | 4 | 4B | 137 BPM |
Section: 0.5820379257202148
End: 0.5859432220458984