"Concerto No. 1 In G Minor for Violin and Orchestra, Op. 26: I Vorspiel (Allegro Moderato)" by Max Bruch, Philharmonia Slavonica, Helena Spitkova was released on January 1, 2015. Since Concerto No. 1 In G Minor for Violin and Orchestra, Op. 26: I Vorspiel (Allegro Moderato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 4 in Bruch: Concerto for Violin No. 1 - Kol Nidrei by Max Bruch, Philharmonia Slavonica. In terms of popularity, Concerto No. 1 In G Minor for Violin and Orchestra, Op. 26: I Vorspiel (Allegro Moderato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 1 In G Minor for Violin and Orchestra, Op. 26: I Vorspiel (Allegro Moderato) by Max Bruch, Philharmonia Slavonica, Helena Spitkova is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Canzone in B-Flat Major, Op. 55 (Arr. for Clarinet and Piano) | Max Bruch, Matthias Glander, Wolfgang Kühnl | B♭ Major | 0 | 6B | 65 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 17, Wie aus der Ferne | Robert Schumann, Stephen Hough | B Major | 0 | 1B | 69 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM |
Section: 0.7903106212615967
End: 0.7954087257385254