On October 22, 2021, the song "Orgelbüchlein, BWV 599-644: Der Tag, der ist so freudenreich, BWV 605 (Arr. Thomas)" was released by Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton. With Orgelbüchlein, BWV 599-644: Der Tag, der ist so freudenreich, BWV 605 (Arr. Thomas) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton's "J.S. Bach: Three Or One - Transcriptions by Fred Thomas" album is number 8 out of 24. Orgelbüchlein, BWV 599-644: Der Tag, der ist so freudenreich, BWV 605 (Arr. Thomas) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Orgelbüchlein, BWV 599-644: Der Tag, der ist so freudenreich, BWV 605 (Arr. Thomas) by Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme and Variations, Op. 72: Var. 12. Andante sostenuto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Piano Sonata in E Minor, Op. 63: If. Premier mouvement du thème | Vincent d'Indy, Jean-Pierre Armengaud | G Major | 1 | 9B | 74 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): VI. Jota | Manuel de Falla, Duo Arnicans | E Major | 1 | 12B | 131 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XX. Andante brillante [Version des Herausgebers] | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 153 BPM | ||
Carnaval, Op.9: 2. Pierrot | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Intermezzo für Violoncello und Klavier op. 117 Nr. 1 | Johannes Brahms, Maximilian Hornung, Nicholas Rimmer | F Major | 1 | 7B | 158 BPM | ||
Cantata, BWV 159: Es ist vollbracht (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B♭ Major | 0 | 6B | 136 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 9 in E Major: Moderato non troppo | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM |
Section: 0.8279554843902588
End: 0.8336985111236572