"O Come and Mourn" by Nicola A. Montani, Benedictines of Mary, Queen of Apostles was released on February 20, 2023. The duration of O Come and Mourn is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. O Come and Mourn's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benedictines of Mary, Queen of Apostles's "Lent at Ephesus (Rereleased)" album is number 18 out of 23. On top of that, United States appears to be the country where this track was created. O Come and Mourn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Come and Mourn by Nicola A. Montani, Benedictines of Mary, Queen of Apostles to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Omni die dic Mariae | Chrámový Zbor Campana | B Major | 5 | 1B | 114 BPM | ||
Theotokion (Tone 8) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 66 BPM | ||
Night Prayer: V. Canticle of Simeon "Nunc Dimittis" | The Benedictine Monks of Worth Abbey | F Major | 1 | 7B | 81 BPM | ||
Missa cum iubilo - Gloria | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 174 BPM | ||
Agnus Dei (Missa Sicut Cervus) | Mark Emerson Donnelly, Benedictines of Mary, Queen of Apostles | F♯ Major | 1 | 2B | 77 BPM | ||
Vexilla Regis | Venantius Fortunatus, Benedictines of Mary, Queen of Apostles | C Minor | 0 | 5A | 145 BPM | ||
Now The Powers, Bulgarian Chant | Daniel Alva | E♭ Minor | 0 | 2A | 77 BPM | ||
King of Kings | Margaret Leddy, Benedictines of Mary, Queen of Apostles | B♭ Major | 1 | 6B | 106 BPM | ||
Missa Kyrie fons bonitatisII. Gloria | Gregorian Chants, Karel Frana, Boni Puncti | F Minor | 1 | 4A | 74 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": III. Antiphona "Ad sepulcrum beati Iacobi" - Psalmus "Laudate pueri dominum" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | B Minor | 5 | 10A | 168 BPM |
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