"Konig der letzten Tage (King of the Last Days): Sanctus" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 8 out of 18. In terms of popularity, Konig der letzten Tage (King of the Last Days): Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konig der letzten Tage (King of the Last Days): Sanctus by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Am I Not Merciful? | Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra | D Minor | 1 | 7A | 76 BPM | ||
Cello Theme | Craig Armstrong | C Major | 0 | 8B | 138 BPM | ||
Giuseppe w Warszawie IV | Stefan Marczyk, Wojciech Kilar, Wielka Orkiestra Symfoniczna Polskiego Radia | A Minor | 6 | 8A | 86 BPM | ||
Giuseppe w Warszawie VII | Stefan Marczyk, Wojciech Kilar, Wielka Orkiestra Symfoniczna Polskiego Radia | A Minor | 6 | 8A | 86 BPM | ||
Kyrie | The Choir of the Choir School | F Major | 1 | 7B | 82 BPM | ||
Long, Long Time Ago | Javier Navarrete | A Minor | 1 | 8A | 80 BPM | ||
Love Eternal | Wojciech Kilar | B Minor | 0 | 10A | 87 BPM | ||
Danse macabre, Op.40 | Camille Saint-Saëns, Duel, London Session Orchestra, Gavyn Wright | D Major | 5 | 10B | 118 BPM | ||
Giuseppe w Warszawie XIII | Wielka Orkiestra Symfoniczna Polskiego Radia, Wojciech Kilar, Stefan Marczyk | A Minor | 6 | 8A | 86 BPM | ||
March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary" | Henry Purcell, The Philip Jones Brass Ensemble | E Major | 4 | 12B | 139 BPM |
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