On July 1, 2016, the song "Musicalischer Parnassus, euterpe suite: IV. Bourée" was released by Johann Caspar Fischer, Tony Millan. With Musicalischer Parnassus, euterpe suite: IV. Bourée being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Caspar Fischer, Tony Millan's "J.C.F. Fischer: Harpsichord Suites" album is number 16 out of 54. On top of that, Netherlands appears to be the country where this track was created. Musicalischer Parnassus, euterpe suite: IV. Bourée is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Musicalischer Parnassus, euterpe suite: IV. Bourée by Johann Caspar Fischer, Tony Millan to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Epistle Sonata in C major, K. 336 | Wolfgang Amadeus Mozart, Academy of Ancient Music, Christopher Hogwood | B Major | 3 | 1B | 132 BPM | ||
Musicalischer Parnassus: Clio, Suite No. 1: Sarabande | Johann Caspar Ferdinand Fischer, Luc Beauséjour | D Major | 4 | 10B | 132 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
Pieces in G Major: II. Entrée des Espagnolles | Jean-Baptiste Lully, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
In tribulationibus, in angustiis: No. 6, Aria, "O gratum montem" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Suite in G Major, RCT 6: VI. Les Sauvages | Jean-Philippe Rameau, Sophie Yates | C Major | 6 | 8B | 152 BPM | ||
Concerto in F Major: I. Adagio | Johann Adolf Hasse, Leo Duarte, Nicola Boud, Michele Fattori, Peter Whelan, Irish Baroque Orchestra | E Major | 0 | 12B | 100 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM |
Section: 0.5604245662689209
End: 0.5635685920715332