"The Last Rose of Summer (Arr. for Soprano by Friedrich von Flotow)" by Traditional, Dame Joan Sutherland was released on January 27, 2023. The duration of The Last Rose of Summer (Arr. for Soprano by Friedrich von Flotow) is about 3 minutes long, at 3:28. Based on our data, "The Last Rose of Summer (Arr. for Soprano by Friedrich von Flotow)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dame Joan Sutherland's "Joan Sutherland: Personal Choices" album is number 15 out of 20. On top of that, United States appears to be the country where this track was created. The popularity of The Last Rose of Summer (Arr. for Soprano by Friedrich von Flotow) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Last Rose of Summer (Arr. for Soprano by Friedrich von Flotow) by Traditional, Dame Joan Sutherland to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
Jubilate Deo: III. Ta cao chang de yang | Rivertree Singers Festival Chorus, Heather Huron, Warren Cook, Rivertree Singers | C Major | 1 | 8B | 169 BPM | ||
Greensleeves | John Johnson, Anthony Rooley, James Tyler | F Major | 2 | 7B | 83 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Steppe, Endless Steppe | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 1 | 6B | 131 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM |
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