"Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Hallo, Außenamt! (Live at Prinzregenten Theater, Munich 10/10/2021)" by Adrian Eröd, Lars Woldt was released on April 15, 2022. With Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Hallo, Außenamt! (Live at Prinzregenten Theater, Munich 10/10/2021) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Hallo, Außenamt! (Live at Prinzregenten Theater, Munich 10/10/2021) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Hallo, Außenamt! (Live at Prinzregenten Theater, Munich 10/10/2021) by Adrian Eröd, Lars Woldt having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fanciulla del West / Act 1: Ti voglio bene, Minnie | Giacomo Puccini, Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | D Major | 1 | 10B | 97 BPM | ||
Evening Songs, Op. 3: No. 3, Já jsem ten rytíř | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
3 Songs from William Tell, S292/2/R582b: No. 3. Der Alpenjager | Franz Liszt, Adrian Eröd, Charles Spencer | F Major | 0 | 7B | 124 BPM | ||
Symphony for Baritone & Orchestra "Alle Tage": II. Anrufung des großen Bären (Live) | Thomas Larcher, Adrian Eröd, Tonkünstler-Orchester, Hannu Lintu | B Major | 2 | 1B | 65 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Fidelio, Op. 72, Act I: Mir ist so wunderbar | Ludwig van Beethoven, Marek Janowski, Dresdner Philharmonie, Lise Davidsen, Christina Landshamer, Georg Zeppenfeld, Cornel Frey | E Major | 2 | 12B | 118 BPM | ||
Winterreise, Op. 89, D. 911: No. 7. Auf dem Flusse | Franz Schubert, Adrian Eröd, Eduard Kutrowatz | F Minor | 1 | 4A | 88 BPM | ||
Krokodilslieder op.28 - VI. Anhang: Ins Stammbuch | Iván Erőd, Alder - Eröd - Nagy - Lehmkuhl, Christoph Traxler, Adrian Eröd | D Major | 0 | 10B | 64 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act I: Song: Heia, heia, in den Bergen ist mein Heimatland | Emmerich Kálmán, Martina Serafin, Ferdinand von Bothmer, Kerstin Grotrian, Adrian Eröd, Harald Serafin, Mirjana Irosch, Frigyes Harsanyi, Michael Gampe, Gottfried Falkenstein, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | B♭ Major | 0 | 6B | 99 BPM |
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