Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) - Jean-Baptiste Lully, Guy De Mey, Les Arts Florissants, William Christie Information

Acousticness: 88%
Danceability: 17%
Energy: 2%
Instrumentalness: 0%
Liveness: 9%
Loudness: 52%
Speechiness: 5%
Valence: 11%
Popularity: 2%
Loudness: -28.987 dB

Summary

"Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys)" by Jean-Baptiste Lully, Guy De Mey, Les Arts Florissants, William Christie was released on February 28, 1987. The duration of Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 12 out of 74. Based on our statistics, Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) BPM

We consider the tempo marking of Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) by Jean-Baptiste Lully, Guy De Mey, Les Arts Florissants, William Christie to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.

Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto in F Major, Seibel 234: 1. Vivace	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	E Major	2	12B	133 BPM
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum	Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon	G Major	4	9B	92 BPM
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia	Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner	F♯ Minor	1	11A	94 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	3	7A	101 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM
Purcell : King Arthur : Overture to Act 1	William Christie	C Minor	2	5A	140 BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
Flute Sonata in E Minor: I. Grave	Frederick the Great, Berliner Barock Compagney	E♭ Minor	0	2A	83 BPM
Trio Sonata in E Minor: I. Grave	Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka	A Major	2	11B	98 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5202279090881348

End: 0.5246803760528564