Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis by Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra

Song Analysis

Audio information that is featured on Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis by Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra.

Acousticness

97%

Energy

15%

Liveness

11%

Speechiness

4%

Danceability

8%

Instrumentalness

87%

Loudness

67%

Valence

4%

Harmonic Matches

Find songs that harmonically matches to Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis by Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenutoMartha Argerich, Bavarian Radio Symphony OrchestraG Minor16A85
Symphony No.25 in G minor, K.183: 1. Allegro con brio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony No.25 in G minor, K.183: 1. Allegro con brioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor26A80
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'EreboChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterG Minor06A134
Sonata No. 16 in B Flat Major, III. Allegretto by Maria João PiresSonata No. 16 in B Flat Major, III. AllegrettoMaria João PiresB♭ Major26B140
Messe solennelle de Sainte Cecile: Benedictus by Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyMesse solennelle de Sainte Cecile: BenedictusCharles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyB♭ Major06B90
Mozart: Requiem in D Minor, K. 626: XII. Benedictus by Nikolaus Harnoncourt, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert HollMozart: Requiem in D Minor, K. 626: XII. BenedictusNikolaus Harnoncourt, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert HollB♭ Major16B73
Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivaceMartha Argerich, Bavarian Radio Symphony OrchestraB♭ Major16B139
Ascanio in Alba, K. 111: Ascanio in Alba, K. 111: "Per la gioia in questo seno"Peter Schreier, Staatskapelle Berlin, Otmar SuitnerB♭ Major36B130
Semiramide: Sento l'amica speme (Semiramide) by Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieSemiramide: Sento l'amica speme (Semiramide)Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieB♭ Major26B132
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) by Elisabeth Schwarzkopf, Karl Böhm, Philharmonia OrchestraRecitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)Elisabeth Schwarzkopf, Karl Böhm, Philharmonia OrchestraB♭ Major16B138
Welche Lust, O (Fidelio, Act 1) by Herbert von KarajanWelche Lust, O (Fidelio, Act 1)Herbert von KarajanB♭ Major16B107
Stabat Mater: 9. Sancta Mater by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 9. Sancta MaterGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonB♭ Major16B115
Piano Concerto No. 20 in D Minor, K.466: II. Romanze by Philharmonia Orchestra, Youri Egorov, Wolfgang SawallischPiano Concerto No. 20 in D Minor, K.466: II. RomanzePhilharmonia Orchestra, Youri Egorov, Wolfgang SawallischB♭ Major06B84
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz by Alfred Brendel, Vienna Volksoper OrchestraKlavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. SatzAlfred Brendel, Vienna Volksoper OrchestraB♭ Major16B77
Piano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto Grazioso by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto GraziosoJenő Jandó, Wolfgang Amadeus MozartB♭ Major16B82
Sonata No. 16 in B Flat Major, I. Allegro by Maria João PiresSonata No. 16 in B Flat Major, I. AllegroMaria João PiresB♭ Major16B161
Trumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto) by Herbert von Karajan, Berliner Philharmoniker, Maurice AndréTrumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto)Herbert von Karajan, Berliner Philharmoniker, Maurice AndréB♭ Major46B74
Donizetti: L'elisir d'amore, Act 2 Scene 7: No. 11, Romanza, Donizetti: L'elisir d'amore, Act 2 Scene 7: No. 11, Romanza, "Una furtiva lagrima" (Nemorino)Gaetano Donizetti, Marcello Viotti, Muenchner RundfunkorchesterB♭ Major16B131
Ariadne auf Naxos, Op.60 / Opera: Ariadne auf Naxos, Op.60 / Opera: "Es gibt ein Reich"Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt MasurB♭ Major16B173
Piano Sonata No. 13 In B Flat Major, K. 333: I. Allegro by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 13 In B Flat Major, K. 333: I. AllegroJenő Jandó, Wolfgang Amadeus MozartB♭ Major16B127
Frühlingsstimmen, Op.410 by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-TheusslFrühlingsstimmen, Op.410Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-TheusslB♭ Major16B85
Norma / Act 1: Sgombra è la sacra by Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Sgombra è la sacraVincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard BonyngeB♭ Major06B137
Symphony No. 33 KV319 in B flat Major: Allegro assai by Academy of St. Martin in the Fields, Iona BrownSymphony No. 33 KV319 in B flat Major: Allegro assaiAcademy of St. Martin in the Fields, Iona BrownB♭ Major16B90
Una furtiva lagrima (From L'elisir d'amore) - Vocal by Gaetano Donizetti, Michael Bolton, Philharmonia Orchestra, Steven MercurioUna furtiva lagrima (From L'elisir d'amore) - VocalGaetano Donizetti, Michael Bolton, Philharmonia Orchestra, Steven MercurioB♭ Major16B104
Violin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderato by Arthur GrumiauxViolin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderatoArthur GrumiauxB♭ Major46B137

Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis by Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra Information

This song is track #235 in #nowplaying Mozart by Wolfgang Amadeus Mozart, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra, which has a total of 399 tracks. The duration of this track is 5:21 and was released on May 1, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis might be one of them, due to it's low energy and danceability.

Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis BPM

Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis has a BPM of 74. Since this track has a tempo of 74, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.

Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis Key

The key of Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis is G Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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