Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner's 'Così fan tutte, K. 588: Act I Scene 3: Si mora, si, si mora (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)' came out on November 2, 1990. Così fan tutte, K. 588: Act I Scene 3: Si mora, si, si mora (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Johannes Wildner's "Mozart: Cosi Fan Tutte" album is number 2 out of 71. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Così fan tutte, K. 588: Act I Scene 3: Si mora, si, si mora (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, K. 588: Act I Scene 3: Si mora, si, si mora (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) by Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Piano Concerto No. 6 in B-Flat Major, K. 238: II. Andante un poco adagio | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | E♭ Major | 0 | 5B | 70 BPM | ||
The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 112 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM |
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