Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola's 'Mediae noctis tempus est (Hymn for the Night Vigil)' came out on 1977. The duration of Mediae noctis tempus est (Hymn for the Night Vigil) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Mediae noctis tempus est (Hymn for the Night Vigil)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 5 out of 63. The popularity of Mediae noctis tempus est (Hymn for the Night Vigil) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mediae noctis tempus est (Hymn for the Night Vigil) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Presto (very, very fast) because the track has a tempo of 188 BPM, a half-time of 94BPM, and a double-time of 376 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM | ||
How Glorious Is Our Lord In Zion | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 3 | 7B | 128 BPM | ||
Schiarazula Marazula | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | G Minor | 2 | 6A | 76 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Traditional: La llorona (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | E Minor | 1 | 9A | 116 BPM | ||
Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) | Alfred Schnittke, Dale Warland Singers, Dale Warland | G Major | 0 | 9B | 76 BPM | ||
Whilst Great Is Our Poverty | Cyrillus Kreek, Traditional, Anna-Liisa Eller, Angela Ambrosini, Marco Ambrosini, Vox Clamantis, Jaan-Eik Tulve | D♭ Major | 1 | 3B | 76 BPM | ||
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM |
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