"5 canciones populares Argentinas, Op. 10: No. 4, Arrorro" by Alberto Ginastera, Atsushi Hashimoto, Takuya Uchikado was released on January 20, 2023. The duration of 5 canciones populares Argentinas, Op. 10: No. 4, Arrorro is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 5 canciones populares Argentinas, Op. 10: No. 4, Arrorro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alberto Ginastera, Atsushi Hashimoto, Kozue Takagi, Takuya Uchikado's "Ginastera & Piazzolla" album is number 10 out of 11. On top of that, Japan appears to be the country where this track was created. 5 canciones populares Argentinas, Op. 10: No. 4, Arrorro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 canciones populares Argentinas, Op. 10: No. 4, Arrorro by Alberto Ginastera, Atsushi Hashimoto, Takuya Uchikado to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Cantata para America magica , Op. 27: III. Canto para la partida de los guerreros | Alberto Ginastera, Rayanne Dupuis, Bugallo-Williams piano duo, Ensemble S, Percussion Ensemble of Cologne Conservatory, Cologne West German Radio Symphony Orchestra, Stefan Asbury | E Major | 7 | 12B | 126 BPM | ||
Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
Piano Sonata No.9, Op.68 "Black Mass" | Alexander Scriabin, Vladimir Ashkenazy | C Major | 1 | 8B | 103 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Iberia, Book 1: I. Evocacion | Isaac Albéniz, Esteban Sánchez | B♭ Minor | 0 | 3A | 131 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM |
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