"Requiem in D minor, K.626: 7. Agnus Dei" by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Requiem" album is number 13 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Requiem in D minor, K.626: 7. Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 7. Agnus Dei by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Nutcracker (Suite), Op. 71a, TH 35: 2f. Dance of the Reed-Pipes. Moderato assai | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 128 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
O helga natt | Malmö Akademiska Kör och Orkester, Daniel Hansson | E♭ Major | 4 | 5B | 124 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock, The English Concert Choir | A Minor | 1 | 8A | 74 BPM | ||
Chopiniana, Op. 46: Polonaise | Alexander Glazunov, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Major | 2 | 11B | 76 BPM | ||
Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 4, Ice Variation | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F Major | 1 | 7B | 74 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: No. 10 Jesu, Joy Of Man's Desiring (Arr. by Guillermo Figueroa) | Johann Sebastian Bach, Orpheus Chamber Orchestra | G Major | 1 | 9B | 66 BPM | ||
Messe du couronnement, K. 317: Agnus Dei | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | C Minor | 1 | 5A | 86 BPM | ||
In the Bleak Midwinter (Arr. Kanneh-Mason) | Gustav Holst, Sheku Kanneh-Mason, Isata Kanneh-Mason | F Major | 0 | 7B | 75 BPM | ||
St Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | The City of Prague Philharmonic String Ensemble, Richard Hein | C Major | 3 | 8B | 133 BPM |
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