"Sisask : Starry Sky Cycle Op.52 : 1. Aquarius [Dream]" by Urmas Sisask, Lauri Väinmaa was released on August 16, 1993. The duration of Sisask : Starry Sky Cycle Op.52 : 1. Aquarius [Dream] is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Sisask : Starry Sky Cycle Op.52 : 1. Aquarius [Dream]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Sisask : Starry Sky Cycle". In this album, this song's track order is #1. In terms of popularity, Sisask : Starry Sky Cycle Op.52 : 1. Aquarius [Dream] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sisask : Starry Sky Cycle Op.52 : 1. Aquarius [Dream] by Urmas Sisask, Lauri Väinmaa having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Madrigals, Book 7: Interrotte speranze, eterna fede, SV 132 (arr. J. Lloyd Webber for 3 cellos and harp) | Claudio Monteverdi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Catrin Finch | D Minor | 1 | 7A | 122 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
O Virtus Sapiente | Hildegard von Bingen, Kronos Quartet | E Major | 0 | 12B | 57 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM |
Section: 0.6233835220336914
End: 0.6279094219207764