"Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto - Cadenza" by Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg was released on October 30, 2015. Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto - Cadenza appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Cello Concertos Nos 1 & 2". In this album, this song's track order is #7. Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto - Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto - Cadenza by Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97, "Archduke": IV. Allegro moderato | Ludwig van Beethoven, Renaud Capuçon, Gautier Capuçon, Frank Braley | B♭ Major | 1 | 6B | 91 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Ravel: Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Renaud Capuçon, Gautier Capuçon, Franck Braley | F♯ Minor | 0 | 11A | 170 BPM | ||
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Schubert: Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: IV. Allegro moderato | Franz Schubert, Renaud Capuçon, Gautier Capuçon, Frank Braley | E♭ Major | 1 | 5B | 121 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
Schubert: Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Franz Schubert, Renaud Capuçon, Gautier Capuçon, Frank Braley | C Minor | 0 | 5A | 92 BPM |
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