Clifton Parker, Royal Ballet Sinfonia, Gavin Sutherland's 'The Glass Slipper - Overture' came out on January 1, 2007. The duration of The Glass Slipper - Overture is about 3 minutes long, at 3:12. Based on our data, "The Glass Slipper - Overture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #10. Based on our statistics, The Glass Slipper - Overture's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Glass Slipper - Overture by Clifton Parker, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Über Wiesen und Felder | Marcel Barsotti | D Major | 1 | 10B | 84 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Film music for Henry V: 2 Pieces for Strings: Touch Her Soft Lips and Part | William Walton, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
ウィーンの音楽時計 〜組曲「ハーリー・ヤーノシュ」から〜 | Kazuo Yamada, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
Sånger å de Osjungnas Vägnar: I. Öppning: I | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Concerto For Dreams | Orchestral Music X, Marko Celesty | C Major | 0 | 8B | 110 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Over! Over! Over! Over! Game Over! | Marcel Barsotti | F Major | 3 | 7B | 135 BPM |
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