"Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya" by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos was released on February 5, 2016. Since Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #25. Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concierto: Tres gráficos para guitarra y orquesta: 2. Improvisación sobre un gráfico de la siguiriya by Mauricio Ohana, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triptico: 2. Madrugada | Antonio Lauro, Adam Holzman | E Minor | 0 | 9A | 94 BPM | ||
Estudio No. 6 in E Minor | Agustín Barrios Mangoré, Celil Refik Kaya | E Minor | 2 | 9A | 94 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM | ||
6 Airs from the Magic Flute, Op. 19: No. 5. Konnte jeder brave Mann (Act I) | Fernando Sor, Margarita Escarpa | E Major | 0 | 12B | 114 BPM | ||
Estudo No. 2 | Sergio & Odair Assad | E Major | 4 | 12B | 125 BPM | ||
Las puertas de Madrid: No. 6. Puerta de Toledo | Federico Moreno Torroba, Ana Vidovic | E Major | 1 | 12B | 94 BPM | ||
Tarleton’s Resurrection | John Dowland, Christoph Denoth | A Major | 0 | 11B | 76 BPM | ||
Homenaje, 'Le Tombeau de Claude Debussy' | Manuel de Falla, Simon Dinnigan | A Minor | 0 | 8A | 84 BPM |
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