"beFORe JOHN: I. Reconstruction: No. 1. Lullaby and Introduction" by Zoltán Váczi, Amadinda Percussion Group was released on July 15, 2014. With this song being about 5 minutes long, at 4:41, "beFORe JOHN: I. Reconstruction: No. 1. Lullaby and Introduction" by Zoltán Váczi, Amadinda Percussion Group is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Amadinda Percussion Group's "Hollo / Vaczi: Before John" album is number 8 out of 14. Based on our statistics, beFORe JOHN: I. Reconstruction: No. 1. Lullaby and Introduction's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of beFORe JOHN: I. Reconstruction: No. 1. Lullaby and Introduction by Zoltán Váczi, Amadinda Percussion Group to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
No | Caleb Burhans, Roomful of Teeth, Brad Wells | D♭ Minor | 1 | 12A | 88 BPM | ||
20 Mazurkas, Op. 50: No. 1 | Karol Szymanowski, Martin Roscoe | A Major | 0 | 11B | 69 BPM | ||
Cantus in Memory of Benjamin Britten for Strings and Bells | Arvo Pärt, Hungarian State Opera Orchestra, Tamás Benedek | A Minor | 1 | 8A | 89 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Switchcraft | Chilly Gonzales | A Minor | 2 | 8A | 96 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Mou Sukoshi Jibun no Koto, Kichinto Shitaino | Jonny Greenwood | F♯ Major | 1 | 2B | 60 BPM | ||
String Quartet in F Major, M. 35: II. Assez vif, tres rhythme | Maurice Ravel, Satie String Quartet | C Major | 0 | 8B | 160 BPM | ||
Everything In It's Right Place | Christopher O'Riley | F Minor | 1 | 4A | 132 BPM |
Section: 0.6169717311859131
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