"Bliss, Act III, Scene 1, "Bedlam": "Look, I won't apologise, so don't punish me"" by Brett Dean, Amanda Holden, Merlyn Quaife, Peter Coleman-Wright, Lorina Gore, Milijana Nikolic, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. The duration of Bliss, Act III, Scene 1, "Bedlam": "Look, I won't apologise, so don't punish me" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Bliss, Act III, Scene 1, "Bedlam": "Look, I won't apologise, so don't punish me"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 33 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act III, Scene 1, "Bedlam": "Look, I won't apologise, so don't punish me" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act III, Scene 1, "Bedlam": "Look, I won't apologise, so don't punish me" by Brett Dean, Amanda Holden, Merlyn Quaife, Peter Coleman-Wright, Lorina Gore, Milijana Nikolic, Opera Australia Orchestra, Elgar Howarth is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 3 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
La jolie fille de Gand: No. 1 Andantino non troppo | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 70 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: III. Friar Laurence | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 0 | 8B | 104 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Symphony No. 4, "To the memory of Mahinarangi Tocker": I. The sea mimics a thousand applauding kanuka | Ross Harris, Robert Ashworth, Auckland Philharmonia Orchestra, Brett Dean | C Major | 1 | 8B | 132 BPM |
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