Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss's 'Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco' came out on August 6, 2021. Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss's "Lachner: Symphony No. 6, Op. 56 & Bassoon Concertino, Op. 23" album is number 5 out of 7. Based on our statistics, Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concertino in E-Flat Major, Op. 23: I. Allegro moderato con fuoco by Franz Paul Lachner, Chia-Hua Hsu, Evergreen Symphony Orchestra, Gernot Schmalfuss to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1 in D Minor, Op. 113: I. Praludium | Franz Paul Lachner, Polish State Philharmonic Orchestra, Katowice, Stephen Gunzenhauser | D Minor | 2 | 7A | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Sonata in A Major, Op. 14: II. Andante espressivo | Leopoldo Miguéz, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Requiem, Op. 146: XIII. Agnus Dei | Franz Paul Lachner, Roxana Constantinescu, Colin Balzer, Kammersolisten Augsburg, Hermann Meyer | A♭ Major | 2 | 4B | 117 BPM | ||
交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | ベルリン フィルハーモニー管弦楽団 | C Major | 1 | 8B | 76 BPM | ||
Piano Concerto in C Minor, Op. 185: III. Finale. Allegro | Joachim Raff, Michael Ponti, Hamburg Symphony Orchestra, Richard Kapp | D Minor | 3 | 7A | 87 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM |
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