Johann Sebastian Bach, Irene Cantos's 'Organ Choral-Prelude BWV 721 'Erbarm'dich Mein, O Herre Gott' (Piano Arr. By A. M. Henderson)' had a release date set for June 6, 2024. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 39 in Dialogues. Piano Works by Bach & Chopin by Raoul Stéphane Pugno, Johann Sebastian Bach, Frédéric Chopin, Joseph Haydn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Organ Choral-Prelude BWV 721 'Erbarm'dich Mein, O Herre Gott' (Piano Arr. By A. M. Henderson) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Organ Choral-Prelude BWV 721 'Erbarm'dich Mein, O Herre Gott' (Piano Arr. By A. M. Henderson) by Johann Sebastian Bach, Irene Cantos is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Black Earth | Fazıl Say, Carmen Stefanescu | B Minor | 1 | 10A | 72 BPM | ||
Stimmungsbilder Op. 9, TrV 128: II. An einsamer Quelle | Richard Strauss, Guillaume Bellom | F Minor | 1 | 4A | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
11 Bagatelles, Op. 119: No. 3, À L'allemande | Ludwig van Beethoven, Irene Cantos | C Major | 1 | 8B | 68 BPM | ||
Meditation | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
Preludes, Op. 23: No. 5 in G Minor - Triphonola 51661 | Sergei Rachmaninoff, Peter Phillips, Ossip Gabrilowitsch | F Major | 1 | 7B | 108 BPM | ||
Prélude in B Major, Op. 16, No. 1 - Upright Version | Alexander Scriabin, Julius Asal | D Minor | 2 | 7A | 82 BPM | ||
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM | ||
Sea Pieces, Op. 55: No. 6, from the Depths | Edward MacDowell, Harold Bauer, Peter Phillips | B♭ Major | 0 | 6B | 70 BPM |