"Lisbon" by Percy Grainger, Members of the English Chamber Orchestra, Benjamin Britten was released on January 1, 2013. With Lisbon being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Salute To Percy Grainger". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lisbon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lisbon by Percy Grainger, Members of the English Chamber Orchestra, Benjamin Britten having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euphonium Concerto: III. Finale: Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 148 BPM | ||
The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM | ||
Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | ||
Puszta: Four Gipsy Dances: IV. - | Jan van der Roost, Coastal Communities Concert Band, Tom Cole | A Minor | 2 | 8A | 109 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM | ||
Dance of the Elves | Johan de Meij | C Major | 1 | 8B | 81 BPM | ||
Shine | Julie Giroux, University of North Texas Symphonic Band, Dennis Fisher | B♭ Major | 2 | 6B | 134 BPM |
Section: 0.7530946731567383
End: 0.7598245143890381