"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Arr. M. Beiser for Cello & Electronics]" by Johann Sebastian Bach, Maya Beiser was released on July 29, 2016. With this song being about 5 minutes long, at 5:05, "Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Arr. M. Beiser for Cello & Electronics]" by Johann Sebastian Bach, Maya Beiser is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "TranceClassical". In this album, this song's track order is #1. In terms of popularity, Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Arr. M. Beiser for Cello & Electronics] is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Arr. M. Beiser for Cello & Electronics] by Johann Sebastian Bach, Maya Beiser having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II | Johann Sebastian Bach, Yo-Yo Ma | G Major | 0 | 9B | 112 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Lento Pacifico | Guy Van Nueten | G Minor | 0 | 6A | 134 BPM | ||
Three movements from String Quartet No. 2: II | Michael Nyman, Amstel Quartet | B♭ Major | 1 | 6B | 117 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
Loretto | Rachel Grimes | C Minor | 1 | 5A | 65 BPM | ||
Times Curve Prelude No. 17 | William Duckworth, Silas Bassa | D♭ Major | 0 | 3B | 121 BPM |
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