"Schumann: Spanisches Liederspiel, Op. 74: No. 4, In der Nacht, "Alle gingen, Herz, zur Ruh" (Langsam)" by Emanuel Geibel, Robert Schumann, Erik Werba was released on April 5, 2013. With this song being about 5 minutes long, at 5:04, "Schumann: Spanisches Liederspiel, Op. 74: No. 4, In der Nacht, "Alle gingen, Herz, zur Ruh" (Langsam)" by Emanuel Geibel, Robert Schumann, Erik Werba is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #4. The popularity of Schumann: Spanisches Liederspiel, Op. 74: No. 4, In der Nacht, "Alle gingen, Herz, zur Ruh" (Langsam) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Spanisches Liederspiel, Op. 74: No. 4, In der Nacht, "Alle gingen, Herz, zur Ruh" (Langsam) by Emanuel Geibel, Robert Schumann, Erik Werba having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Schubert: Heidenröslein | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | E Major | 0 | 12B | 117 BPM | ||
Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Sieben spanische Lieder, Op. 6: V. Händlein so linde | Emil Sjögren, Emanuel Geibel, Peter Heise, Mari Anne Häggander, Rolf Gothóni | G Minor | 1 | 6A | 127 BPM | ||
Spanische Liebeslieder, Op. 138: 2. Tief im Herzen trag' ich Pein | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Gerold Huber, James Cheung | G Minor | 0 | 6A | 72 BPM | ||
Lieder ohne Worte, Op. 53: No. 5 in A Minor. Allegro con fuoco, MWV U 153 "Folksong" | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM | ||
Mazurkas, Op. 56, B. 153: No. 2 in C Major | Frédéric Chopin, Giuseppe Greco | G Major | 1 | 9B | 101 BPM | ||
8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
Années de pèlerinage: Première année: Suisse, S.160: 1. La Chapelle de Guilaume Tell | Franz Liszt, Daniel Barenboim | C Major | 0 | 8B | 139 BPM |
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