"Pita's Room" by Harry Gregson-Williams was released on January 1, 2004. With Pita's Room being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harry Gregson-Williams's "Man On Fire (Original Motion Picture Soundtrack)" album is number 19 out of 28. Based on our statistics, Pita's Room's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pita's Room by Harry Gregson-Williams to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
Ordinary Man | West Dylan Thordson | G Minor | 2 | 6A | 89 BPM | ||
Campfire | William Ross | E♭ Major | 0 | 5B | 50 BPM | ||
And He Remembered Noah | Clint Mansell | G Minor | 2 | 6A | 65 BPM | ||
The End - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A♭ Minor | 1 | 1A | 109 BPM | ||
More Telegrams | Nick Glennie-Smith | B♭ Minor | 1 | 3A | 170 BPM | ||
Ragnar Dreams of Home | Trevor Morris | D♭ Minor | 0 | 12A | 89 BPM | ||
She Follows / End Titles | Benji Merrison, Will Slater | E Minor | 3 | 9A | 108 BPM | ||
The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
The Letter/ End Credit | Alan Silvestri | G Major | 0 | 9B | 142 BPM |
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