"Ariane et Bacchus, Act II: Chaconne pour les suivants du roi" by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet had its release date on March 17, 2023. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 48 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act II: Chaconne pour les suivants du roi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Act II: Chaconne pour les suivants du roi by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Il ritorno d'Ulisse in patria: Sinfonia | Claudio Monteverdi, René Jacobs, Concerto Vocale | A Minor | 1 | 8A | 116 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
Le Concert Royal de la nuit: Ouverture | Anonymous, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 168 BPM | ||
Premier Concert: Menuet En Trio (Couperin) | Le Concert Des Nations, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Alcione - 2Ème Suite - Airs Pour Les Eoliens Et Les Eoliennes - Sarabandes | Jordi Savall, Marin Marais | G Major | 0 | 9B | 83 BPM | ||
3e livre de viole: Grand Ballet (Extrait du IIIe Livre) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 101 BPM |