"Pour le piano, L. 95: 1. Prélude" by Claude Debussy, Víkingur Ólafsson was released on March 12, 2021. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Reflections". In this album, this song's track order is #9. In terms of popularity, Pour le piano, L. 95: 1. Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pour le piano, L. 95: 1. Prélude by Claude Debussy, Víkingur Ólafsson having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Satie: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Bertrand Chamayou | G Minor | 0 | 6A | 170 BPM | ||
Hymn to a Great City | Arvo Pärt, Katia & Marielle Labèque | D♭ Major | 0 | 3B | 115 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. VII | Clara Schumann, Benjamin Grosvenor | A♭ Minor | 0 | 1A | 64 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Piano Songs: No. 10 Lullaby | Martin Stadtfeld | E Minor | 1 | 9A | 111 BPM |
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