James Galway made "Suite in A Minor for Flute and Strings: Passepieds 1 and 2" available on 1978. The duration of Suite in A Minor for Flute and Strings: Passepieds 1 and 2 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Suite in A Minor for Flute and Strings: Passepieds 1 and 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 16 out of 142. The popularity of Suite in A Minor for Flute and Strings: Passepieds 1 and 2 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite in A Minor for Flute and Strings: Passepieds 1 and 2 by James Galway to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In My Life (from "For the Boys") | James Galway, Vincent Fanuele | B Minor | 3 | 10A | 101 BPM | ||
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
Sunlight Shining Through the Trees (Komorebi): Coda | Susumu Miyashita, James Galway, Hiroyuki Iwaki | D Minor | 0 | 7A | 85 BPM | ||
Suite Antique: VI. Rondeau | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | D Major | 1 | 10B | 135 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Concertino for Flute and Piano, Op. 107 | Cécile Chaminade, James Galway, Phillip Moll | F Major | 2 | 7B | 80 BPM | ||
Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 133 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Mandoline | Claude Debussy, James Galway | D Minor | 1 | 7A | 82 BPM |
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