Andrzej Rohaczewski, Stephen Taylor's 'Canzon (17th Century Chamber Organ)' came out on December 31, 2002. The duration of Canzon (17th Century Chamber Organ) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Canzon (17th Century Chamber Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. Canzon (17th Century Chamber Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzon (17th Century Chamber Organ) by Andrzej Rohaczewski, Stephen Taylor is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | A♭ Minor | 1 | 1A | 78 BPM | ||
Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
On ahdas täällä olla, Sl 153 | Mieskuoro Weljet | D Minor | 3 | 7A | 118 BPM | ||
Suite in D Major: IV. Sarabande | Robert de Visée, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Fantasia-Suite No. 8 in D Major: III. Galliard | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Die Himmel erzählen die Ehre Gottes, Op.11, No.18, SWV 386 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM |
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