Andrzej Rohaczewski, Stephen Taylor's 'Canzon (17th Century Chamber Organ)' came out on December 31, 2002. The duration of Canzon (17th Century Chamber Organ) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Canzon (17th Century Chamber Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. Canzon (17th Century Chamber Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzon (17th Century Chamber Organ) by Andrzej Rohaczewski, Stephen Taylor is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XVI. Wenn eure Sünde gleich blutrot wäre | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Membra Jesu nostri, BuxWV 75: IIb. Ad genua: Salve, Jesu, rex sanctorum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Guitar Sonata No. 20 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Correnta settima | Carlo Farina, Musica Antiqua, Christian Mendoze | F Major | 1 | 7B | 67 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIc. Ad manus: Manus sanctae, vos amplector | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Canzon à 4 in D Minor | Andrzej Rohaczewski, Filatura di Musica | B♭ Minor | 1 | 3A | 122 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |
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