"Nunc dimittis - From "Tinker, Tailor, Soldier, Spy"" by Lesley Garrett, 3 Trouble, Philharmonia Orchestra was released on October 12, 1992. The duration of Nunc dimittis - From "Tinker, Tailor, Soldier, Spy" is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Nunc dimittis - From "Tinker, Tailor, Soldier, Spy"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Prima Donna". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Nunc dimittis - From "Tinker, Tailor, Soldier, Spy" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nunc dimittis - From "Tinker, Tailor, Soldier, Spy" by Lesley Garrett, 3 Trouble, Philharmonia Orchestra having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Fading Light | Geoffrey Burgon | C Major | 1 | 8B | 114 BPM | ||
Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt) | Ludwig van Beethoven, Philharmonia Orchestra, Kurt Sanderling | A Minor | 1 | 8A | 83 BPM | ||
Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
California and Me | Laufey, Philharmonia Orchestra | E Major | 3 | 12B | 77 BPM | ||
Zadok The Priest (Coronation Anthem for George II ed. Basil Lam) - 1994 Remaster | George Frideric Handel, Ambrosian Singers, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 2 | 10B | 88 BPM |
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