"Quelques vieux Cantiques Bretons: III. Sainte Anne, bonne mère" by Paul Ladmirault, Ensemble Vocal de Lausanne, Michel Corboz, Jonathan Spicher, Hélène Pelourdeau was released on March 4, 2016. With Quelques vieux Cantiques Bretons: III. Sainte Anne, bonne mère being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Schola Aeterna - Chants à la vierge". In this album, this song's track order is #8. In terms of popularity, Quelques vieux Cantiques Bretons: III. Sainte Anne, bonne mère is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quelques vieux Cantiques Bretons: III. Sainte Anne, bonne mère by Paul Ladmirault, Ensemble Vocal de Lausanne, Michel Corboz, Jonathan Spicher, Hélène Pelourdeau having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On a Summer Evening for flute & piano | Gordon Jacob, Rachel Smith, Rachel Fryer, Paul Gregory, Jenny Broome, Esther Ward-Caddle | D Major | 1 | 10B | 67 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 135 BPM | ||
Sostenuto in F Major, MWV U 167 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
26 Welsh Songs, WoO 155: No. 8, Farewell, Thou Noisy Town | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 3 | 10B | 47 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Kinderszenen, Op.15: Träumerei | Robert Schumann, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 82 BPM | ||
10 Chansons ecossaises: No. 4. Jolie petite chose | Paul Ladmirault, Ensemble Vocal Mélisme(s), Colette Diard, Gildas Pungier | G Major | 1 | 9B | 125 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 7: Vivo | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 50 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM |
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