Anonymous, Ensemble Apotropaïk, Clémence Niclas, Louise Bouedo, Marie-Domitille Murez, Clément Stagnol's 'Santa Maria amar (Cantiga de Santa María No. 7)' came out on October 31, 2023. Santa Maria amar (Cantiga de Santa María No. 7) is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 7 out of 13 in Bella Donna by Ensemble Apotropaïk. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Santa Maria amar (Cantiga de Santa María No. 7) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Santa Maria amar (Cantiga de Santa María No. 7) by Anonymous, Ensemble Apotropaïk, Clémence Niclas, Louise Bouedo, Marie-Domitille Murez, Clément Stagnol is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asperges me: Messe à la ville "Repons" | Louis-Nicolas Clérambault, Ensemble Polyphonique de Montparnasse, Victor Martin, Gaston Litaize | G Major | 0 | 9B | 75 BPM | ||
Improperium - Ofertorio (Modo VIII) | Anonymous, Coro De Monjes Del Monasterio De Silos, Francisco Lara | F♯ Major | 1 | 2B | 81 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 82 BPM | ||
Vultum Tuum | Schola Gregoriana Del Coro F. Paer | F Major | 1 | 7B | 114 BPM | ||
Dans la joie de Pâques, Les cloches de Pâques | Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan | D♭ Major | 0 | 3B | 136 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Veni, Creator Spiritus - Hymnus (tonus monasticus) in Festo Pentecostes | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | B♭ Major | 1 | 6B | 71 BPM |
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