"The Blue Labyrinth" by Nigel Westlake, David Hudson, Emma Lysons, Sydney Contemporary Singers was released on February 5, 1996. With this song being about 5 minutes long, at 5:03, "The Blue Labyrinth" by Nigel Westlake, David Hudson, Emma Lysons, Sydney Contemporary Singers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Edge (Original Score)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. In terms of popularity, The Blue Labyrinth is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Blue Labyrinth by Nigel Westlake, David Hudson, Emma Lysons, Sydney Contemporary Singers having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
Take Your Positions | Riley Lee, Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 127 BPM | ||
Theme from Inspector Morse | Barrington Pheloung, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
Building the Barn - From "Witness" | Maurice Jarre | A♭ Major | 1 | 4B | 78 BPM | ||
Anthem of the Eternal | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
Fire from the Sky | David Hirschfelder | D Minor | 7 | 7A | 101 BPM | ||
Should Auld Acquaintance Be Forgot | Alexandra Harwood | E Major | 2 | 12B | 69 BPM | ||
Baa Ram Ewe | Nigel Westlake | F Major | 2 | 7B | 77 BPM | ||
Mia Invites Lilly To The Ball - Score | John Debney | A Major | 0 | 11B | 122 BPM |
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