- BPM
- 76
- Key
- D♭ Minor
- Camelot
- 12A
Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 - Claude Debussy, Philippe Cassard, François Chaplin Information
- Acousticness
- 99%
- Danceability
- 15%
- Energy
- 7%
- Instrumentalness
- 93%
- Liveness
- 15%
- Loudness
- 43%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -34.184 dB
Summary
"Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3" by Claude Debussy, Philippe Cassard, François Chaplin was released on June 7, 2022. The duration of Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 77 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 BPM
The tempo marking of Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 by Claude Debussy, Philippe Cassard, François Chaplin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 3 Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | |
 | Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | |
 | Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | |
 | Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | |
 | Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | |
 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM |
- ISRC
- FRUM72200911
- Label
- L-M Records/RCA Records
Section: 0.5961470603942871
End: 0.6012132167816162