Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations's 'Les Boréades - Entrée des Peuples' came out on August 1, 2011. The duration of Les Boréades - Entrée des Peuples is about 3 minutes long, at 3:24. Based on our data, "Les Boréades - Entrée des Peuples" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Rameau: L'Orchestre de Louis XV". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United States. In terms of popularity, Les Boréades - Entrée des Peuples is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Boréades - Entrée des Peuples by Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Danse des sauvages (From Les Indes galantes) | Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 1 | 8B | 79 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Hippolyte et Aricie / Act 4: Premier Menuet - Deuxième Menuet en Rondeau | Jean-Philippe Rameau, Meredith Hall, Ensemble Vocal Sagittarius, Les Musiciens du Louvre, Marc Minkowski | C Major | 1 | 8B | 100 BPM |
Section: 0.8395030498504639
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