"Wie war das noch mit Dornröschen?" by Radoslaw Pallarz, Emily Körner, Soo Eun Lee was released on July 25, 2019. With Wie war das noch mit Dornröschen? being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 15 in Dornröschen by Radoslaw Pallarz, Emily Körner, Soo Eun Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wie war das noch mit Dornröschen? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wie war das noch mit Dornröschen? by Radoslaw Pallarz, Emily Körner, Soo Eun Lee is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Down by the Salley Gardens (Arr. for Violin & Cello by Lynda O'Connor & Gerald Peregrine) | Herbert Hughes, Lynda O'Connor, Gerald Peregrine | E♭ Major | 0 | 5B | 130 BPM | ||
來自依帕內瑪的女孩 | 最好的時光三重奏 | D Minor | 3 | 7A | 82 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
Moments of Peace - Fantasy Instrumental | MoeSync | F Major | 2 | 7B | 140 BPM | ||
Etude In F Minor | Michael Raven | E♭ Major | 1 | 5B | 145 BPM | ||
Piano Sonata In B Minor | Michael Raven | B Minor | 1 | 10A | 108 BPM | ||
Rivulet of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Miniatures for Cello & Strings: No. 1, Chanson de matin (After Elgar's Op. 15 No. 2) | Edward Elgar, Raphael Wallfisch, English String Orchestra, Kenneth Woods | B Minor | 1 | 10A | 116 BPM |
Section: 0.821258544921875
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