Berliner Philharmoniker, Klaus Tennstedt's 'Symphony No. 4 in A, Op.90 'Italian': I. Allegro vivace - Più animato' came out on November 12, 2007. Since Symphony No. 4 in A, Op.90 'Italian': I. Allegro vivace - Più animato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #40. Symphony No. 4 in A, Op.90 'Italian': I. Allegro vivace - Più animato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in A, Op.90 'Italian': I. Allegro vivace - Più animato by Berliner Philharmoniker, Klaus Tennstedt having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: 8. Communio: Lux aeterna - Live | Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Minor | 3 | 7A | 96 BPM | ||
Serenade In G, K.525 "Eine kleine Nachtmusik": 4. Rondo (Allegro) | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 107 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Symphony No.9 In D / 1. Satz: (Horns) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 73 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Einleitung zum Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 80 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM |
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