Pee Wee Crayton made "Long After Hours - Alternative of Modern 707 - MM 1162-3" available on June 26, 2000. The duration of Long After Hours - Alternative of Modern 707 - MM 1162-3 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Long After Hours - Alternative of Modern 707 - MM 1162-3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Texas Blues Jumpin' in Los Angeles: The Modern Music Sessions 1948-51". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Long After Hours - Alternative of Modern 707 - MM 1162-3 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Long After Hours - Alternative of Modern 707 - MM 1162-3 by Pee Wee Crayton having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hey, Hey | Big Walter Horton's Blues Harp Band | B Minor | 4 | 10A | 68 BPM | ||
Shake, Rattle And Roll | Big Joe Turner, Pee Wee Crayton, Sonny Stitt | C Major | 3 | 8B | 93 BPM | ||
Reconsider Baby | Lowell Fulson | C Major | 5 | 8B | 95 BPM | ||
Slow Down | J.B. Lenoir | A Major | 4 | 11B | 107 BPM | ||
Keyhole in Your Door | Snooky Pryor | A♭ Major | 6 | 4B | 129 BPM | ||
Outskirts of Town | Lafayette Leake | C Major | 5 | 8B | 95 BPM | ||
I'm In The Wrong Business | A.C. Reed | A♭ Major | 7 | 4B | 95 BPM | ||
Blue Walls | Matt "Guitar" Murphy | C Major | 6 | 8B | 204 BPM | ||
Wah Wah Blues | Earl Hooker | D Major | 3 | 10B | 103 BPM | ||
Don't Leave Me Baby | Lowell Fulson | F Major | 3 | 7B | 155 BPM |
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