- BPM
- 65
- Key
- A Major
- Camelot
- 11B
Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) - Camille Saint-Saëns, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan Information
- Acousticness
- 100%
- Danceability
- 7%
- Energy
- 11%
- Instrumentalness
- 94%
- Liveness
- 8%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 20%
- Loudness
- -19.777 dB
Summary
"Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano)" by Camille Saint-Saëns, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan was released on October 1, 2013. The duration of Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in A Tale of Two Cellos by Julian Lloyd Webber, Jiaxin Lloyd Webber. Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) BPM
The tempo marking of Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) by Camille Saint-Saëns, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ave Maria in A Major (1860) (arr. J. Lloyd Webber for 2 cellos and piano) Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lullaby, Op.57, No.2 | Cyril Scott, Julian Lloyd Webber, John Lenehan | D Major | 0 | 10B | 80 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto (Excerpt) | Ludwig van Beethoven | B Minor | 0 | 10A | 76 BPM | |
 | Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | |
 | 7 Danish Songs: No. 6. In the Seraglio Garden (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | A♭ Major | 0 | 4B | 76 BPM | |
 | Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | |
 | Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | |
 | Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | |
 | Nocturne No. 1 in B flat minor, Op. 9 No. 1 | Frédéric Chopin, Nelson Freire | D♭ Major | 0 | 3B | 62 BPM | |
 | Aria in Classic Style, Op. 19 | Marcel Grandjany, Hae Joo Hahn, Sang-Eil Shin | G Major | 0 | 9B | 125 BPM | |
 | Piazzolla: Oblivion, tango | Astor Piazzolla, Julian Lloyd Webber | D Minor | 0 | 7A | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6807839870452881
End: 0.684363603591919