- BPM
- 76
- Key
- D Minor
- Camelot
- 7A
The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 - Johann Sebastian Bach, Keller Quartett Information
- Acousticness
- 95%
- Danceability
- 7%
- Energy
- 6%
- Instrumentalness
- 80%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 12%
- Loudness
- -21.589 dB
Summary
"The Art of Fugue, BWV 1080: Contrapunctus 8 a 3" by Johann Sebastian Bach, Keller Quartett was released on 1988. The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 8 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 BPM
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM | |
 | Sonata No. 88, in D-Flat Major | Antonio Soler, Irene Cantos | G Major | 3 | 9B | 43 BPM | |
 | String Quartet in G Major, Op 77, No.1 (1799): Allegro | Joseph Haydn, Quatuor Alcan | D Major | 1 | 10B | 134 BPM | |
 | Cello Sonata in F Major, Op. 14, No. 2, RV 41: IV. Allegro (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | F Major | 3 | 7B | 100 BPM | |
 | Violin Sonata No. 3 in A Major, Op. 1, No. 3, HWV 361: II. Allegro | George Frideric Handel, Takako Nishizaki, Terence Dennis | A♭ Major | 4 | 4B | 118 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | |
 | Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | |
 | Keyboard Sonata in F Major, K.82/L.30/P.25 | Domenico Scarlatti, Benjamin Frith | F Major | 2 | 7B | 148 BPM | |
 | Album Leaf for Jean Kunz in C Major, JB 1:22 | Bedřich Smetana, Jitka Čechová | D♭ Minor | 1 | 12A | 82 BPM | |
 | Musical Offering, BWV 1079: Canon 2. a 2 Violini in unisono | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Major | 1 | 8B | 151 BPM |
- ISRC
- DEB339765208
- Label
- L-M Records/RCA Records
Section: 0.6149473190307617
End: 0.6184096336364746